IKA
Sanctioned by: THE OFFICIAL IKA KOKONDO KARATE & JUKIDO JUJITSU SITE
IKA
 

The Kata of Kokondo Karate

 
    Sensei Tom Wood performs the signature techniquePre-arranged sequences of self-defense techniques known as kata are the nucleus of all traditional Okinawan and Japanese Karate styles. Each kata is a long fight against multiple attackers. There are hundreds of individual kata still practiced by traditional karate systems, some of which are centuries old. Many of these kata originated in China, while others were first developed in Okinawa; or more recently, in mainland Japan. In the last fifty years, as senior masters of traditional styles have relocated to introduce karate around the globe, many styles gradually introduced newer kata in additional to the established roster of older forms. In some cases, these modern forms include individual sequences borrowed from older kata for purposes of self defense versatility. In other cases, these kata have been introduced for interstyle competiton, or to diversify the way sensei teach basic techniques to newer students. In spite of the great variety of kata practiced internationally today, it is quite probable that many kata have been lost, and with them, valuable self defense techniques of past martial arts masters.

Until the introduction of free-sparring in the 1950’s, kata was universally considered to be the core element of karate training and the most important area of development for karate practitioners. Today, while most of the traditional schools still practice and teach kata, many do so for purposes of competition, necesitating that greater emphasis be placed on the aesthetics of kata as a performance rather than on the self-defense techniques contained within the movements of each form. Kokondo’s primary reason for emphasizing kata is to teach the diverse arsenal of self defense techniques and lessons developed by sensei in previous generations. Since there were few written records of karate techniques until this century, we must consider kata to be the living encyclopedia of ancient karate sensei.

Kata practice offers many benefits to Kokondo-ka in addition to self defense. All Kokondo kata require deep, strong stances and include upper and lower body techniques, providing excellent all-around muscle development and flexibility. Most kata include techniques on both the left and right sides, enhancing one’s coordination. Multiple repetitions of kata offer an excellent cardiovascular workout, with the added benefit of unified mental and physical coordination. For this reason, kata practice should never be boring. By definition, kata is the simultanious development of mind and body working together in harmony--an essential ingredient for effective self-defense. Kata practice enhances concentration and focus, lessons which carry outside the dojo into Kokondo-kas’ everyday lives. Kata practice allows individuals to learn and train at their own speeds, and to set personal goals which can be reached, beaten, and revised. Finally, unlike most other martial arts activities, kata allows one to practice karate at any time and in any location, alone or with other people.

Some of the characteristics of all traditional karate kata include* :

   
bullit Yoi (Mental & physical preparation prior to the start of the fight)
bullit Rei (bow at the beginning & end of each kata)
bullit Correct Order
bullit Proper form, posture and dynamics for power
bullit Embusen (specified performance line of each kata)
bullit Kime (Focus, Target Awareness)
bullit Rhythm, timing, speed changes
bullit Proper breathing
bullit Kiai (shouts for power that appear at specific points in each kata)
bullit Defensive & offensive techniques
bullit Visualization (Using direct & peripheral vision to see the attackers)
bullit Muscular relaxation between movements & contraction on impact
bullit stability and balance while stationary and while moving
bullit Zanshin (Relaxed alertedness at the completion of the kata)
     
    Bunkai

    Sensei Dan Cohen illustrates a possible bunkai application from the first series of Pinan 2.All Kokondo self-defense techniques come from bunkai, the analysis and application of techniques in kata. Kokondo does incorporate many kata (more than 70), including numerous forms with weapons. As with all modern karate styles, Kokondo’s kata are drawn from a variety of sources and karate-ryu. In some cases, Kokondo kata are taught exactly as they were practiced in their original form. More commonly, however, kata in all traditional systems (including Kokondo) have undergone evolution, resulting in differences in the appearance, timing, breathing, and especially applications of the same kata from one style to another. Each kata has unique lessons to teach, and therefore serves an important purpose in the overall development of the karate-ka. Kokondo stresses kata whose bunkai is rich, diverse, and most importantly, practical. The most important kata in the Kokondo system is the kata one is learning at any given time. As students progress and learn new kata, there is a greater responsibility for them to continue practicing everything previously taught by their sensei. In a Kokondo dojo, even the most basic kata such as the Taikyoku (“Basic Ultimate”) are mined for their self-defense applications. It is not enough to “know,” cognitively, that an individual movement might serve as a block, strike, escape, or throw. Rather, the Kokondo student must be able to demonstrate with a partner how a movement as simple as gedan barai (lower parry) can be used effectively for all of these purposes.

In Kokondo karate, one of our primary goals is for our basics, kata, kumite and self-defense to be performed virtually identically. This goal can only be accomplished with continuous and rigorous study of both kata and their bunkai. Interestingly, as one delves deeper into repetitions of a given kata, those particular techniques are ingrained and perfected mentally and physically into the “muscle memory” of the karate-ka. Thus, with correct kata training, when one defends against fast incoming surprise atacks, the correct bunkai emerges automatically and effectively. On the contrary, if one memorizes the moves of a kata unaware of their purpose, it is unlikely that he or she will be able to draw on kata in a real self defense encounter. As Shihan Arel teaches, one must practice kata so that it “becomes a part of you, and only then it will be there when you need it.”

Many modern martial artists (including some from “traditional” styles) see kata as an outdated exercise which serves no self-defense purposes. After all, how many fights in the real world procede according to a choroeographed pattern? This argument immediately indicates a lack of understanding of both kata and of the value of traditional karate training. In self-defense, techniques from kata need not be extracted in the exact order in which they appear in the form itself. Rather, individuals adept at bunkai select specific movements or groups of techniques from various kata and utilize them in combination (renraku waza) as specific self defense situations demand. Thus, a defense against two multiple attackers may include techniques from any number of kata, selected rationally and instantly by the defender according to distance, environment and the needs of the situation.

    The following kata are currently taught in Kokondo Karate.
(There are additional kata taught to higher dans which do not appear
in this list, including alternate versions of some listed below.)
 
Taikyoku 1, 2, 3 (Basic Ultimate)
Pinan 1,2,3,4,5 (Peaceful Mind)
Henka 1,2,3,4,5,6 (Variation)
Kihon 1,2,3,4,5,6 (Basic Form-not the same as Taikyoku)
Uke Kata (Blocking Form)
Geri Kata (Kicking Form)
Tsuki Kata (Punching Form)
Konsho (First Present)
Konni (Second Present)
Konsan (Sankaku) (Third Present/Triangle)
Saifa (Tearing)
Bassai (To Penetrate a Castle)
Kanku (Sky Observation)
Hiji Ichiban (First Elbow Form)
Bo Kata Ichiban, Niban, Sanban (weapons kata)
Sai Kata Ichiban, Niban, Sanban (weapons kata)
Tonfa Kata Ichiban (weapons kata)
Gojushiho (Fifty-Four Directions)
Sushiho (Sixty-Four Directions** )
Hangetsu (Half Moon)
Seienchin (Calm Within the Storm **)
Rohai (Flamingo)
Niaha (Knife- weapons kata)
Gankaku (Crane on a Rock)
Unsu (Cloud Hands)
Kokonyo (Fourth Past & Present)
Kokonso (Past & Present **)
Garyu (Original School)
Tensho (Signs of Heaven)
Sanchin (Three Conflicts)
Jion (Temple Sounds)
Empi (Flying Swallow)
Jutte (Ten Hands)
Naihanchi 1,2,3 (Iron Horse)
Bo Kata 4,5,6 (Weapons Kata)
Sai Kata 4,5,6 (Weapons Kata)
     
    Sensei Greg Szlyk executes yama tsuki from the traditional kata Bassai
     
   
  * Some of these characteristics were borrowed from the following sources:
 
bullit Paul Arel, Sankosho: A Guide to Jukido & Kokondo Karate (South Windsor, CT: IKA, 1989)
bullit Masatoshi Nakayama, Best Karate-Volumes 1-11 (Tokyo: Kodansha, 1979 )
bullit Geir Store. Karate Kata Training (London: Paul H. Crompton, Ltd., 1993).
   
  ** Kata translation not confirmed at this time.

 


 

Webmaster: Jordan Shutov
Last revised Tuesday, July 06, 1999 03:36 PM