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Pre-arranged sequences of
self-defense techniques known as kata are the
nucleus of all traditional Okinawan and Japanese
Karate styles. Each kata is a long fight against
multiple attackers. There are hundreds of
individual kata still practiced by traditional
karate systems, some of which are centuries old.
Many of these kata originated in China, while
others were first developed in Okinawa; or more
recently, in mainland Japan. In the last fifty
years, as senior masters of traditional styles
have relocated to introduce karate around the
globe, many styles gradually introduced newer
kata in additional to the established roster of
older forms. In some cases, these modern forms
include individual sequences borrowed from older
kata for purposes of self defense versatility. In
other cases, these kata have been introduced for
interstyle competiton, or to diversify the way
sensei teach basic techniques to newer students.
In spite of the great variety of kata practiced
internationally today, it is quite probable that
many kata have been lost, and with them, valuable
self defense techniques of past martial arts
masters.Until the
introduction of free-sparring in the 1950s,
kata was universally considered
to be the core element of karate training and the
most important area of development for karate
practitioners. Today, while most of the
traditional schools still practice and teach
kata, many do so for purposes of competition,
necesitating that greater emphasis be placed on
the aesthetics of kata as a performance rather
than on the self-defense techniques contained
within the movements of each form. Kokondos
primary reason for emphasizing kata is to teach
the diverse arsenal of self defense techniques
and lessons developed by sensei in
previous generations. Since there were few
written records of karate techniques until this
century, we must consider kata to be the living
encyclopedia of ancient karate sensei.
Kata practice offers
many benefits to Kokondo-ka in addition to self
defense. All Kokondo kata require deep, strong
stances and include upper and lower body
techniques, providing excellent all-around muscle
development and flexibility. Most kata include
techniques on both the left and right sides,
enhancing ones coordination. Multiple
repetitions of kata offer an excellent
cardiovascular workout, with the added benefit of
unified mental and physical coordination. For
this reason, kata practice should never be
boring. By definition, kata is the simultanious
development of mind and body working together in
harmony--an essential ingredient for effective
self-defense. Kata practice enhances
concentration and focus, lessons which carry
outside the dojo into Kokondo-kas everyday
lives. Kata practice allows individuals to learn
and train at their own speeds, and to set
personal goals which can be reached, beaten, and
revised. Finally, unlike most other martial arts
activities, kata allows one to practice karate at
any time and in any location, alone or with other
people.
Some
of the characteristics of all traditional karate
kata include* :
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Yoi
(Mental
& physical preparation prior to the
start of the fight) |
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Rei
(bow at the beginning & end
of each kata) |
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Correct
Order |
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Proper
form, posture and dynamics for power |
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Embusen
(specified performance line of
each kata) |
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Kime
(Focus,
Target Awareness) |
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Rhythm,
timing, speed changes |
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Proper
breathing |
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Kiai
(shouts
for power that appear at specific points
in each kata) |
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Defensive
& offensive techniques |
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Visualization
(Using direct & peripheral
vision to see the attackers) |
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Muscular
relaxation between movements &
contraction on impact |
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stability
and balance while stationary and while
moving |
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Zanshin
(Relaxed alertedness at the
completion of the kata) |
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Bunkai
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All Kokondo self-defense
techniques come from bunkai, the analysis and
application of techniques in kata. Kokondo does
incorporate many kata (more than 70), including
numerous forms with weapons. As with all modern
karate styles, Kokondos kata are drawn from
a variety of sources and karate-ryu. In some
cases, Kokondo kata are taught exactly as they
were practiced in their original form. More
commonly, however, kata in all traditional
systems (including Kokondo) have undergone
evolution, resulting in differences in the
appearance, timing, breathing, and especially
applications of the same kata from one style to
another. Each kata has unique lessons to teach,
and therefore serves an important purpose in the
overall development of the karate-ka. Kokondo
stresses kata whose bunkai is rich, diverse, and
most importantly, practical. The most important
kata in the Kokondo system is the kata one is
learning at any given time. As students progress
and learn new kata, there is a greater
responsibility for them to continue practicing
everything previously taught by their sensei. In
a Kokondo dojo, even the most basic kata such as
the Taikyoku (Basic Ultimate) are
mined for their self-defense applications. It is
not enough to know, cognitively, that
an individual movement might serve as a block,
strike, escape, or throw. Rather, the Kokondo
student must be able to demonstrate with a
partner how a movement as simple as gedan barai
(lower parry) can be used effectively for all of
these purposes. In
Kokondo karate, one of our primary goals is for
our basics, kata, kumite and self-defense to be
performed virtually identically. This goal can
only be accomplished with continuous and rigorous
study of both kata and their bunkai.
Interestingly, as one delves deeper into
repetitions of a given kata, those particular
techniques are ingrained and perfected mentally
and physically into the muscle memory
of the karate-ka. Thus, with correct kata
training, when one defends against fast incoming
surprise atacks, the correct bunkai emerges
automatically and effectively. On the contrary,
if one memorizes the moves of a kata unaware of
their purpose, it is unlikely that he or she will
be able to draw on kata in a real self defense
encounter. As Shihan Arel teaches, one must
practice kata so that it becomes a part of
you, and only then it will be there when you need
it.
Many modern martial
artists (including some from
traditional styles) see kata as an
outdated exercise which serves no self-defense
purposes. After all, how many fights in the real
world procede according to a choroeographed
pattern? This argument immediately indicates a
lack of understanding of both kata and of the
value of traditional karate training. In
self-defense, techniques from kata need not be
extracted in the exact order in which they appear
in the form itself. Rather, individuals adept at
bunkai select specific movements or groups of
techniques from various kata and utilize them in
combination (renraku waza) as specific self
defense situations demand. Thus, a defense
against two multiple attackers may include
techniques from any number of kata, selected
rationally and instantly by the defender
according to distance, environment and the needs
of the situation.
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The
following kata are currently taught in Kokondo
Karate.
(There are additional kata taught to higher dans
which do not appear
in this list, including alternate versions of
some listed below.)
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| Taikyoku
1, 2, 3 |
(Basic
Ultimate) |
| Pinan
1,2,3,4,5 |
(Peaceful
Mind) |
| Henka
1,2,3,4,5,6 |
(Variation) |
| Kihon
1,2,3,4,5,6 |
(Basic
Form-not the same as Taikyoku) |
| Uke
Kata |
(Blocking
Form) |
| Geri
Kata |
(Kicking
Form) |
| Tsuki
Kata |
(Punching
Form) |
| Konsho |
(First
Present) |
| Konni |
(Second
Present) |
| Konsan |
(Sankaku)
(Third Present/Triangle) |
| Saifa |
(Tearing) |
| Bassai |
(To
Penetrate a Castle) |
| Kanku |
(Sky
Observation) |
| Hiji
Ichiban |
(First
Elbow Form) |
| Bo Kata
Ichiban, Niban, Sanban |
(weapons
kata) |
| Sai
Kata Ichiban, Niban, Sanban |
(weapons
kata) |
| Tonfa
Kata Ichiban |
(weapons
kata) |
| Gojushiho
|
(Fifty-Four
Directions) |
| Sushiho |
(Sixty-Four
Directions** ) |
| Hangetsu |
(Half
Moon) |
| Seienchin
|
(Calm
Within the Storm **) |
| Rohai |
(Flamingo) |
| Niaha |
(Knife-
weapons kata) |
| Gankaku |
(Crane
on a Rock) |
| Unsu |
(Cloud
Hands) |
| Kokonyo
|
(Fourth
Past & Present) |
| Kokonso |
(Past
& Present **) |
| Garyu |
(Original
School) |
| Tensho |
(Signs
of Heaven) |
| Sanchin |
(Three
Conflicts) |
| Jion |
(Temple
Sounds) |
| Empi |
(Flying
Swallow) |
| Jutte |
(Ten
Hands) |
| Naihanchi
1,2,3 |
(Iron
Horse) |
| Bo Kata
4,5,6 |
(Weapons
Kata) |
| Sai
Kata 4,5,6 |
(Weapons
Kata) |
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* Some
of these characteristics were borrowed
from the following sources: |
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Paul Arel, Sankosho:
A Guide to
Jukido & Kokondo Karate
(South Windsor, CT: IKA,
1989) |
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Masatoshi Nakayama,
Best
Karate-Volumes 1-11
(Tokyo: Kodansha, 1979
) |
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Geir Store. Karate
Kata Training
(London: Paul H.
Crompton, Ltd., 1993). |
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** Kata
translation not confirmed at this time.
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